• About the Frances Browne Literary Festival

    Frances Browne, the Blind Poetess of Ulster, is the most important writer ever to emerge from Donegal's Finn Valley, in the North West of Ireland.

    The Finn Valley area is Ireland's most important district in linguistic terms. All three of Ireland's traditional languages, Irish, English, and Ulster-Scots are widely spoken in the Finn Valley. This situation is unique in Ireland.

    Frances Browne's most famous poem, "Songs of our land," is a reflection on language, and how the soul of a nation is encapsulated in its literary outputs. She wrote prolifically in all formats. She was as much at home with an essay, an article, or a novel as she was with her great fortes, poetry and childrens' writing. Her masterpiece, the children’s storybook "Granny's Wonderful Chair" was a bestseller all over the world, but she also deserves to be remembered for her unswerving opposition to slavery and all sorts of injustice.

     

    The Annual Frances Browne Literary Festival celebrates the legacy and spirit of Frances Browne. We work to bring not only Frances's writing and astonishing life story to new generations but to celebrate the works of contemporary and modern writers who continue in her tradition.

  • 2022 Event Details and Tickets

    Highlight Event

    Saturday 15th October, 2pm & 4pm
    Sunday 16th October, 2pm & 4pm

    Drumboe Woods, Stranorlar

    €10 individual / €35 family
    Book on Eventbrite

    A spectacular interactive outdoor promenade performance incorporating dance, storytelling, music, singing and aerial dance theatre.

  • Programme Events

    Thursday 13th October, 8pm

    Balor Arts Centre, Ballybofey

    Tickets €10 Book at Balor Arts Centre

     

    We welcome poets, authors, musicians and dramatists to celebrate the work and legacy of Frances Browne and kick off our festival weekend.

     

    Highlights include keynote address by Donegal poet Annemarie Ní Churreáin and a reading of a short play 'Sarah Leech: Strangers to our Own' about Ulster Scots poet Sarah Leech by Dr. Pauline Holland. We also reveal new work by Frances Browne, and present the second annual Frances Browne Award.

    More details here

    Friday 14th October, 5pm

    Balor Arts Centre, Ballybofey

    Tickets €15 Book on Eventbrite

    Lively conversation between the comedian, actor and activist Deirdre O'Kane and actor Frankie McCafferty.
    Full details here.

    Friday 14th October, 8pm

    Kee's Hotel, Stranorlar

    FREE Event. Book on Eventbrite

    Announcing the awards of the Frances Browne Multilingual Poetry Competition, with musical guests.

    Saturday 15th October, 10am to 12pm

    Parish Centre, Stranorlar

    €15 - Book on Eventbrite

    Whether you have a cúpla focail or none at all everybody is céad míle fáilte here.

    Saturday 15th October, 1pm to 3pm

    Isaac Butt Heritage Centre, Cloghan

    €15 - Book on Eventbrite

    A wonderful opportunity to work with one of the most acclaimed poets and sought after writing tutors of the moment.

    Saturday 15th October, 1pm to 3pm

    Súile Centre, Raphoe

    €15 - Book on Eventbrite

    Interactive introduction to writing in Ulster dialect considering Scots, Ulster Scots and Ulster English

    Saturday 15th October, 2pm

    The Coffee Loft, Alexanders, Ballybofey

    Free Event - Booking not required

    Editor Eoghan Mac Giolla Bhríde launches his collection of short stories from Ulster. In conversation with contributor
    Dubhán Ó Longáin

    Saturday 15th October, 3.30pm

    Súile Centre, Raphoe

    Free Event - Booking not required

    Dusty Bluebells is a musical, hearty and spiritual family mystery set in an Irish seaside town. By Angeline King in Ulster Scots translation.
    Introduced by journalist and broadcaster Mary Harte.

    Saturday 15th October, 5pm

    Villa Rose Hotel, Stranorlar

    €10 / €5 Students - Book on Eventbrite

    Panel Discussion: Three remarkable neglected Ulster Scots women writers.

    This panel discussion will contextualise the work of three women writers for the audience and consider how issues of identity and language have impacted on their historical and contemporary reception. Ulster Scots writer Anne Mc Master will chair and provide contemporary insights.

    Saturday 15th October, 8pm

    Monreagh Heritage Centre, Carrigans

    €10 - Book on Eventbrite

    An opportunity to sample a wide array of events celebrating Ulster Scots culture and language.

    Be immersed in Ulster Scots drama, music, song, poetry and Highland dance at Monreagh Ulster Scots / Scots Irish Heritage & Education Centre, Carrigans, in the tranquil settings of a beautifully restored 19th century manse.
    Compered by Angeline King, with well-known local performers Ian McCracken, poet and storyteller and multi-instrumentalist musician and singer Stuart Buchanan.

    Sunday 16th October, 1pm to 3pm

    Ard McCool Playground,
    Railway Road, Stranorlar
    Free Event - Booking not required

    Victorian Street Games with Bemusement, Fuinseog Woodland Crafts; Victorian Arts and Crafts, and lots more for the little ones.

    Sunday 16th October, 2pm to 4pm

    Dunmore House and Gardens, Carrigans €30 - Book on Eventbrite

    Join acclaimed writer Annemarie Ní Churreáin in the atmospheric surroundings of Dunmore House and Gardens, and be inspired by the natural word in this unique, and intimate masterclass

    Sunday 16th October, 4pm

    The Pound Historical Park, Stranorlar
    (beside Stranorlar Health Centre)

    Free Event - Booking not required

    Gordon Speer's choir performs a selection of hymns by Cecil Frances Alexander, a local contemporary of Frances Browne.

    More details here

  • Festival News

    Updates on what's happening in the run up to our Festival Launch

    May 3, 2022 · poetry,arts,culture,gaeilge,literature
    More Posts
  • About Frances Browne

    by Shirley-Anne Godfrey, IRC Scholar, NUI Galway. August 2021

  • Frances Browne: Literary Achievements

    Despite a lack of formal education, being blind, and the limitations of geographical isolation, poverty and gendered expectations of her time, Frances Browne became a literary celebrity in her day. Known as “The Blind Poetess of Ulster”, she worked chiefly in Edinburgh and then London.

     

    Browne wrote three collections of poetry, three three-volume novels, many short stories and essays. She was a prolific journalist and reviewer for many prominent magazines and is chiefly remembered for her best-selling children's storybook Granny's Wonderful Chair (1857). Browne became a literary celebrity in Edinburgh and London literary circles: a poet, novelist, children’s author as well as a popular and prolific non-fiction essayist and writer of serialised fiction. It is estimated by Alexis Easley that by 1866, Browne had published a staggering 178 articles in periodicals, 109 individually published poems and seventy-eight works of periodical fiction, including sixteen serials.

     

    These enormous achievements have not translated into contemporary recognition, and Frances Browne has been effectively erased from the Canon of Irish literature. Apart from cursory references in anthologies, Browne is virtually absent from the public memory with the exception of local interest.

     

    Patrick Bonar’s The Life and Work of Frances Browne (2007) pioneered a revival of local interest in Browne, and Raymond Blair’s The Best of Frances Browne (2012) further emphasised the sheer variety and breadth of Browne’s prolific literary output. Pauline Holland’s chapter on Browne in Treasure Each Voice (2010) provided the first scholarly consideration of Browne’s life and work and evidences a recent renewed academic interest in Browne’s writing.

     

    In New Media and the Rise of the Popular Woman Writer 1832-1860 (2021), Alexis Easley discusses how Browne’s savvy construction of her public image and her ability to present different aspects of her identity to different publics meant that she could at once occupy the role of rural, working-class artist in the Irish Penny Journal and a more cosmopolitan, urbane commentator for the high-brow Athenaeum, as well as simultaneously write with an Irish nationalist tone in her poetry.

     

    Heather Tilley discusses Brown’s novel My Share of the World in dialogue with Wilkie Collins’ Poor Miss Finch in Blindness and Writing : from Wordsworth to Gissing. (2018) Apart from these contributions from Victorian studies and Disability studies, Browne is chiefly referenced in studies on children's literature. Andrew Sneddon and John Privelege, at the Coleraine campus, University of Ulster, include Granny’s Wonderful Chair and a poem The May Yarra in their database ‘The Supernatural in Ulster Scots Literature and Folklore Reader’ and point out that Brown “arguably anticipates the supernaturalism of the Irish literary revival.”

     

    Browne’s writings champion the working class, tenant rights, children’s rights, and the urban poor. Her anti-slavery, anti-war and anti-imperialist political positions and non-sectarian attitudes are evident in her writing and demonstrate just how essentially modern her consciousness was.

     

    Her successful writing career at a time when it was considered barely respectable for a woman to write, as well as clearly proto-feminist intentions in some of her work, mean that a reconsideration of Browne’s work is both timely and necessary. Browne’s own complex identity embraces Irishness and an Ulster Scots heritage.

     

    Writing from the seat of empire, Browne’s representation and celebration of cultural complexities in her Legends of Ulster and other writings make her a worthy avatar for cultural pluralism on this island and beyond. Never entirely embraced by one “tribe” or another, rehabilitating her literary legacy and sharing her heritage(s) remain urgent and exciting projects.

  • Selected Works

    Most of Browne’s original writings can be accessed on Google Books, or archive.org

    Poetry

    The Star of the Atteghei, the Vision of Schwartz; and other Poems (1844)

     

    Lyrics and Miscellaneous Poems (1847)

     

    Pictures and Songs of Home (1856).

    Novels

    My Share of the World (1861)

     

    The Castleford Case (1862)

     

    The Hidden Sin (1866) (anonymously)

     

    The Legends of Ulster (1849-51)

     

    These twelve legends include the following set in Donegal : The Unlucky Birthnight (Barnes Gap), The Wreckers of Fannet (Fanad), The Sharon Ruction (Newtoncunnigham) , O Donnell’s Penance (Donegal town), O’ Cleery’s Tenant Right (Dungloe) The May Eve’s Yarra (Inishowen)

    Children’s literature

    The Ericksons; The Clever Boy or Consider Another -two Stories for my Young Friends (1852)

     

    Granny’s Wonderful Chair and its Tales of Fairy Times (1857)

     

    The Orphans of Elfholm (1862)

    Other Fiction

    The Young Foresters. Groombridge, 1864.

     

    The Exile's Trust : a Tale of the French Revolution and Other Stories. 1869.

     

    The Nearest Neighbours, and Other Stories., 1875.

  • Published Resources

    Blair, Raymond. The Best of Frances Browne : Poems, Stories and Essays by the Blind Genius of Stranorlar. Rathmore Books. 2012.

     

    Bonar, Patrick. The Life and Works of Frances Browne. 2007

     

    Easley, Alexis Publishing and Reception”. The Cambridge Companion to Victorian Women's Poetry, edited by, Linda K. Hughes, Cambridge University Press, 2019, Hughes, Linda K. p 97-113.

     

    Easley, Alexis New Media and the Rise of the Popular Woman Writer 1832-1860. Edinburgh University Press. 2021.

     

    Holland Pauline ed. Treasure each voice: 400 years of Anglo-Irish, Irish and Ulster-Scots literature from Stranorlar. 2010 p. 743-750

     

    Tilley, Heather. Frances Browne: Toward a poetics of Blind Writing.” Journal of literary and Cultural Disability Studies. 3.2. (2009) : p.147-161.

     

    Tilley, Heather. “Embodying Blindness in the Victorian Novel Frances Brownes My Share of the World and Wilkie Collinss Poor Miss Finch”. Blindness and Writing : from Wordsworth to Gissing. Cambridge University Press, 2018. p.182-207.

  • Committee and Funders

    Contact us here: info@francesbrowneliteraryfestival.com

    Chairperson: Celine McGlynn

    Celine McGlynn

    Chairperson

    Finn Valley Voice Logo

    Finn Valley Voice

    Donegal County Council Logo

    Donegal County Council

    Balor Arts Centre Logo

    Creative
    Ireland

    Balor Arts Centre Logo

    The Arts Council of Ireland

    Balor Arts Centre Logo

    Ulster Scots Agency

  • Partners and Sponsors

    Thank you to all our festival and event partners without whom the festival would not be possible. And to our sponsors who contribute to our festival so generously.

    Donegal County Council Logo

    Donegal Bay and Bluestacks Festival

    Donegal County Council Logo

    Balor Arts Centre

    Finn Valley Voice Logo

    Kee's Hotel and Leisure Centre

    Donegal County Council Logo

    Fidget Feet

    Donegal County Council Logo

    Aishlingí Academy

    Donegal County Council Logo

    Karen Murphy- School of Speech and Drama

  • 2021 Festival Programme

    We are delighted to launch our programme for the 2021 Frances Browne Literary Festival

    Frances Browne Literary Festival Programme
  • Multilingual Poetry Competition 2022

    The Frances Browne Multilingual Poetry Competition welcomes entries in three separate categories: Irish Language; English Language and
    Ulster-Scots Language.

     

    DEADLINE FOR ENTRIES
    Entry for our 2022 Competition has now closed.

     

    Full entry details, competition T&Cs and entry form are available here

    A hard copy of the entry form is available to download here

     
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